Kanye west my beautiful dark twisted fantasy remake

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After three verses plus a chilling interlude from ClipseвЂ™s Pusha T, apparently as ruthless a boyfriend as he is a coke dealer, Kanye sounds drained. The sense of uncomfortable proximity, that maybe Kanye isnвЂ™t aware of just how much heвЂ™s oversharing here, is reinforced by his unpolished and sometimes tuneless singing. The self-lacerating lyrics, including a filthy first verse (вЂњShe find pictures in my email/I sent this bitch a picture of my dickвЂќ), are far too off-putting to count as anti-hero posturing, much less as self-pity. Wisely chosen as the albumвЂ™s centerpiece, thereвЂ™s no question that the following track, вЂњRunaway,вЂќ is KanyeвЂ™s most arresting showcase as a songwriter. ItвЂ™s a gorgeous slow burner that turns tragic in its third act, as KanyeвЂ™s rhymes swap lust for heartache before distorted guitar lines and a muscular verse from Rick Ross close it out (thatвЂ™s Kanye acting tough, but itвЂ™s clear heвЂ™s really hurting). On вЂњDevil in a New Dress,вЂќ he perfects the sampling style he invented, manipulating the pitch and tempo of Smokey RobinsonвЂ™s вЂњWill You Love Me Tomorrow?вЂќ until it crawls luxuriantly out of the speakers like wine poured in slow motion.

He looks good in grimy hard rock on вЂњHell of a Life,вЂќ pulls off arena-sized pop pomp on вЂњAll of the Lights,вЂќ and still finds time, with the posse cuts вЂњMonsterвЂќ and вЂњSo Appalled,вЂќ to kick out the two hardest rap tracks of his career.Д®ven when Kanye looks back, the results can be stunning.

Kanye west my beautiful dark twisted fantasy remake how to#

For Kanye, the internal logic of pop music must be nearly transparent: He doesnвЂ™t seem to get what makes every genre work, nor does he get all of them as well, but he has an intuitive sense of how to construct more kinds of songs than any other producer working today. It turns out that was only the earliest manifestation of a much more encompassing talent. These are the finest tracks that any group of rappers has yet to rhyme over, and if the album doesnвЂ™t make Kanye any more of a contender for the title of Greatest MC than he was two years ago, it handily confirms that heвЂ™s rapвЂ™s greatest producer.Д®ven when Kanye was working as an in-house beatsmith for Roc-a-Fella, he showed a savant-like knack for sample-based hip-hop. The music is exhilarating, often abrasive, never predictable, at times stunningly gorgeous. So let me offer the following, slightly less generous superlative: No rap album IвЂ™ve heard can boast better production than this one. That said, insisting, on whatever grounds, that Kanye has released one of rapвЂ™s great milestoneвЂ™s doesnвЂ™t do the album justice, at least insofar as doing so invites impossible challenges (is it really better than Fear of a Black Planet or Illmatic? Who could definitively say?) without drawing due attention to the strengths on which the album might meet them. The effort to canonize My Beautiful Dark Twisted Fantasy as one of hip-hopвЂ™s all-time high points is already underway, and IвЂ™m confident that KanyeвЂ™s new album can weather the backlash that all potential classics must confront. The track might not answer a lot of questions, but itвЂ™s a dynamite beginning to an audaciously complex rap masterpiece, on-point thematically and, even more so, musically, with Kanye mashing up G-funk and baroque pop while huge, anonymous voices pop in to ask, вЂњCan we get much higher?вЂќ like a stoned soul take on a Greek chorus. For the remainder of вЂњDark Fantasy,вЂќ heвЂ™s freely mixing the materialistic (вЂњMercy, mercy me, that MurcielagoвЂќ) and the existential (вЂњHey teacher, teacher/Tell me how do you respond to the students?/And refresh the page and restart the memory?/And re-spark the soul and rebuild the energy?вЂќ). вЂњI fantasized about this back in ChicagoвЂќ is the first thing that Kanye West says on My Beautiful Dark Twisted Fantasy, and itвЂ™s the only thing close to a context for the 13 tracks of delirious hip-hop decadence that follow.